The Yellowjackets - Altered State
Yellowjackets - Altered State
2005 - VBR@190 - 203
BIO: Although sometimes grouped with Spyro Gyra, the Yellowjackets are actually one of the most creative regular groups in the "rhythm & jazz" genre. Founded in 1981 as an R&B-oriented band that starred guitarist Robben Ford, the group took a giant step forward when, after Ford's departure, altoist Marc Russo took his place. With original members Russell Ferrante on keyboards and electric bassist Jimmy Haslip, in addition to drummer William Kennedy, the band found its own R&B-ish sound, sometimes playing original compositions that sounded like Joe Zawinul at his most melodic. Starting out on Warner Brothers in the early '80s, the Yellowjackets moved to MCA/GRP in 1986, where they released a string of well-received albums. In the 1990s, Russo chose to go out on his own, and his replacement, Bob Mintzer (on tenor and bass clarinet), added more jazz credibility to the group's music. They moved back to Warner Brothers in 1995 for several albums before moving the Heads Up label for the live two-CD set Mint Jam in 2002. 2003 saw the release of their first studio album in five years, Time Squared. Three years later, the band celebrated its twenty fifth anniversary as an ensemble with the relase of the live album Twenty Five. - Scott Yanow, AMG
REVIEW: The most adventurous quartet in contemporary jazz has met its visual match in Peter Max, the legendary pop artist who, as it turns out, is a huge fan of the band. Russell Ferrante and company could probably feel at home naming any of their innovative, loose-spirited albums after one of Max's paintings, but Altered State definitely fits the vibe here — which is all odd meters, emotionally provocative melodic lines, and unexpected harmonies. Max, in turn, took a few preliminary tracks and was inspired to create the cool, splotchy cover art. The hourlong musical affair won't cause any permanent mental and emotional departures, but there are a lot of odd and spirited surprises along the way. "Suite 15," featuring the funky interplay of Bob Mintzer's aggressive sax and Ferrante's power chording (not to mention one of Ferrante's classic lush piano solos), is classic Jackets stuff all the way. They almost go "pop" on Mintzer's multi-genre romp "March Majestic," which is driven by drummer Marcus Baylor's New Orleans-styled march beat, Ferrante's gospel-tinged keys, and — big shock — Mintzer's ace soloing throughout. The spiritual centerpiece of the disc is "The Hope," a churchgoing gem featuring Jean Baylor on lead vocals and the Perry Sisters backing.
Running from the fellowship hall, the quartet goes alternately fun and jazzy and then weird and wild, from Ferrante's dark, brooding, and gently exotic "Hunter's Point" to bassist Jimmy Haslip's simmering and offbeat "Youth Eternal." Marcus Baylor has a blast taking listeners into a dense percussive forest at the beginning of "Free Day," which develops into a fairly straightforward midtempo jazz number. Ferrante explains that this project was about finding some less-traveled roads. But even on those, the band can't get away from the powerful risk-taking and solid playing that make the Yellowjackets treasures in their chosen genre. - Jonathan Widran, AMG
Tracks
01 Suite 15 @194
02 March Majestic @190
03 The Hope @191
04 Hunter's Point @200
05 Mother Earth @196
06 Youth Eternal @203
07 Free Day (Missing)
08 Cross Current @201
09 AHA @196
10 57 Chevy @193
11 Unity @198
Download Resource: NG
Upload Resource: sharebigfile
Sound Quality: VBR@190 - 203 KB/ps
File Size: 78.868 MB
2005 - VBR@190 - 203
BIO: Although sometimes grouped with Spyro Gyra, the Yellowjackets are actually one of the most creative regular groups in the "rhythm & jazz" genre. Founded in 1981 as an R&B-oriented band that starred guitarist Robben Ford, the group took a giant step forward when, after Ford's departure, altoist Marc Russo took his place. With original members Russell Ferrante on keyboards and electric bassist Jimmy Haslip, in addition to drummer William Kennedy, the band found its own R&B-ish sound, sometimes playing original compositions that sounded like Joe Zawinul at his most melodic. Starting out on Warner Brothers in the early '80s, the Yellowjackets moved to MCA/GRP in 1986, where they released a string of well-received albums. In the 1990s, Russo chose to go out on his own, and his replacement, Bob Mintzer (on tenor and bass clarinet), added more jazz credibility to the group's music. They moved back to Warner Brothers in 1995 for several albums before moving the Heads Up label for the live two-CD set Mint Jam in 2002. 2003 saw the release of their first studio album in five years, Time Squared. Three years later, the band celebrated its twenty fifth anniversary as an ensemble with the relase of the live album Twenty Five. - Scott Yanow, AMG
REVIEW: The most adventurous quartet in contemporary jazz has met its visual match in Peter Max, the legendary pop artist who, as it turns out, is a huge fan of the band. Russell Ferrante and company could probably feel at home naming any of their innovative, loose-spirited albums after one of Max's paintings, but Altered State definitely fits the vibe here — which is all odd meters, emotionally provocative melodic lines, and unexpected harmonies. Max, in turn, took a few preliminary tracks and was inspired to create the cool, splotchy cover art. The hourlong musical affair won't cause any permanent mental and emotional departures, but there are a lot of odd and spirited surprises along the way. "Suite 15," featuring the funky interplay of Bob Mintzer's aggressive sax and Ferrante's power chording (not to mention one of Ferrante's classic lush piano solos), is classic Jackets stuff all the way. They almost go "pop" on Mintzer's multi-genre romp "March Majestic," which is driven by drummer Marcus Baylor's New Orleans-styled march beat, Ferrante's gospel-tinged keys, and — big shock — Mintzer's ace soloing throughout. The spiritual centerpiece of the disc is "The Hope," a churchgoing gem featuring Jean Baylor on lead vocals and the Perry Sisters backing.
Running from the fellowship hall, the quartet goes alternately fun and jazzy and then weird and wild, from Ferrante's dark, brooding, and gently exotic "Hunter's Point" to bassist Jimmy Haslip's simmering and offbeat "Youth Eternal." Marcus Baylor has a blast taking listeners into a dense percussive forest at the beginning of "Free Day," which develops into a fairly straightforward midtempo jazz number. Ferrante explains that this project was about finding some less-traveled roads. But even on those, the band can't get away from the powerful risk-taking and solid playing that make the Yellowjackets treasures in their chosen genre. - Jonathan Widran, AMG
Tracks
01 Suite 15 @194
02 March Majestic @190
03 The Hope @191
04 Hunter's Point @200
05 Mother Earth @196
06 Youth Eternal @203
07 Free Day (Missing)
08 Cross Current @201
09 AHA @196
10 57 Chevy @193
11 Unity @198
Download Resource: NG
Upload Resource: sharebigfile
Sound Quality: VBR@190 - 203 KB/ps
File Size: 78.868 MB
posted by freddydwight at 6:31 AM
